A second epilogue which takes place after the end of The Witchwood Knot. In this extra chapter, Winnie reads the cards for Clarimonde, and Mr Quincy suggests that they approach a somewhat difficult ally.

The faeries of Witchwood Manor have stolen its young lord. His governess intends to steal him back.

Victorian governess Winifred Hall knows a con when she sees one. When her bratty young charge transforms overnight into a perfectly-behaved block of wood, she soon realises that the real boy has been abducted by the Fair Folk. Unfortunately, the lord of Witchwood Manor is the only man in England who doesn’t believe in faeries—which leaves Winnie in the unenviable position of rescuing the young lord all by herself.

Witchwood Manor is bigger than its inhabitants realise, however, and full of otherworldly dangers. As Winnie delves deeper into the other side of the house, she enlists the aid of its dark and dubious faerie butler, Mr Quincy, who hides several awful secrets behind his charming smile. Winnie hopes to make her way to the centre of the Witchwood Knot through wit and cleverness… but when all of her usual tricks fail, who will she dare to trust?

Olivia Atwater returns with a dark, whimsical faerie tale set in a magical version of Victorian England. Dive into The Witchwood Knot and enjoy a gothic fantasy romance set in the world of Half a Soul.

A little bit of sin is good for the soul.

Gadriel, the fallen angel of petty temptations, has a bit of a gambling debt. Fortunately, her angelic bookie is happy to let her pay off her debts by doing what she does best: All Gadriel has to do is tempt miserably sinless mortal Holly Harker to do a few nice things for herself.

What should be a cakewalk of a job soon runs into several roadblocks, however, as Miss Harker politely refuses every attempt at temptation from Gadriel the woman, Gadriel the man, and Gadriel the adorable fluffy kitten. When even chocolate fails to move Gadriel’s target, the ex-guardian angel begins to suspect she’s been conned. But Gadriel still remembers her previous job… and where petty temptations fail, small miracles might yet prevail.

Olivia Atwater explores love, grief, and the very last bit of chocolate in this sweet modern fantasy, full of wit and heart. Pick up Small Miracles, and enjoy a heavenly faerie tale from the author of Half a Soul.

Lord Elias Wilder, Regency England’s court magician, regularly performs three impossible things before breakfast—but the one thing he cannot do is raise a daughter. As Theodora Wilder continues taking children under their roof, however, Elias is finally forced to confront his dark familial past and the matter of his dubious faerie father.

This short, exclusive novella, written from Lord Elias Wilder’s perspective, takes place just after the events of Half a Soul and includes glimpses of the Lord Sorcier’s childhood in faerie.

Proper Regency ladies are not supposed to become magicians—but Miss Abigail Wilder is far from proper.

The marriageable young ladies of London are dying mysteriously, and Abigail Wilder intends to discover why. Abigail’s father, the Lord Sorcier of England, believes that a dark lord of faerie is involved. But while Abigail is willing to match her magic against Lord Longshadow, neither her father nor high society believes that she is capable of doing so.

Thankfully, Abigail is not the only one investigating the terrible events. Mercy, a street rat and self-taught magician, insists on joining Abigail in unraveling the mystery. Mercy is unpredictable, and her magic is strange and foreboding—but the greatest danger she poses may well be to Abigail’s heart. 

A queer romantic faerie tale of defiant hope and love against all odds, set in Olivia Atwater’s enchanting version of Regency England.

A full-length musical theme for Half a Soul, composed by Christopher Sirgey. Used in the original version of the audiobook.

Regency housemaid Euphemia Reeves has acquired a faerie godfather. Unfortunately, he has no idea what he’s doing.

Effie has most inconveniently fallen in love with the dashing Mr. Benedict Ashbrooke. There’s only one problem: Effie is a housemaid, and a housemaid cannot marry a gentleman. It seems that Effie is out of luck until she stumbles into the faerie realm of Lord Blackthorn, who is only too eager to help her win Mr. Ashbrooke’s heart. All he asks in return is that Effie sew ten thousand stitches onto his favorite jacket.

Effie has heard rumors about what happens to those who accept magical bargains. But life as a maid at Hartfield is so awful that she is willing to risk even her immortal soul for a chance at something better. Now she has one hundred days—and ten thousand stitches—to make Mr. Ashbrooke fall in love and propose…if Lord Blackthorn doesn’t wreck things by accident, that is. For Effie’s greatest obstacle might well be Lord Blackthorn’s overwhelmingly good intentions. 

An enchanting faerie tale set in Olivia Atwater’s magical version of Regency England, Ten Thousand Stitches is “a delightful, romantic romp” (Hannah Whitten) with a Cinderella twist and heaps of heart. 

It's difficult to find a husband in Regency England when you're a young lady with only half a soul.
Ever since she was cursed by a faerie, Theodora Ettings has had no sense of fear or embarrassment—an unfortunate condition that leaves her prone to accidental scandal. Dora hopes to be a quiet, sensible wallflower during the London Season—but when Elias Wilder, the peculiar, handsome, and utterly ill-mannered Lord Sorcier, discovers her condition, she is instead drawn into dangerous faerie affairs.

If her reputation can survive both her curse and her sudden connection with the least-liked man in all high society, then she and her family may yet reclaim their normal place in the world. But the longer Dora spends with Elias, the more she begins to suspect that one may indeed fall in love even with only half a soul. 

“Whimsical, witty, and brimming over with charm” (India Holton), Olivia Atwater’s delightful debut will transport you to a magical version of Regency England, where the only thing more meddlesome than a faerie is a marriage-minded mother!

My kingdom for a magician!

The year is 1812, and Mr Albert Lowe is the only soldier in his regiment with a decent pair of boots. As the English withdraw to Portugal for the winter, a dark pall lies upon the troops, who cannot seem to decide which will kill them first—the lack of supplies, the bitter winter weather, or Napoleon’s dread Lord Sorcier. The lack of ammunition does seem pressing—but what are muskets to the French when they have on their side a magician capable of summoning up a hurricane?

As a surgeon, Albert can fix gunshot wounds more readily than hurricanes. But when he discovers by chance a peculiar, low-born magician among the English ranks, Albert begins to hope that they may all yet survive to return home.

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